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Some Sound And Some Fury: A soliloquy on missed Shakespearean references in an impoverished culture

THE DAILY REFORMER (NEW YORK, UNITED STATES)

No one has been quite as titularly ubiquitous in the Anglophone world as the Sweet Swan of Avon. There’s Aldous Huxley’s 1932 dystopian fantasy Brave New World (title taken from The Tempest); there’s Ernst Lubitsch’s 1942 black comedy To Be or Not to Be (title taken from Hamlet); from 1991, there’s Star Trek VI: The Undiscovered Country (Hamlet again); there’s the 1998 film What Dreams May Come (Hamlet yet again). And, setting titles aside, while we’re on the subject of Hamlet’s shadow one might mention the prominent role played by Ophelia in Bob Dylan’s “Desolation Row,” as she perhaps does…

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